TEDxLansing – Erik Qualman – The Future of Social Commerce
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Drysol 20% Solution 37.5ml 20% Solution 37.50 $17 Drysol is an antiperspirant used to treat excess perspiration problems. |
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Macrolane Macrolane VRF 20 20ml 1.00 $899.99 Macrolane is the first body shaping product using hyaluronic acid. This injectable gel is manufactured using Q-Meds patented technology, NASHA, for the production of stabilized non-animal hyaluronic acid. The use of NASHA gel has been clinically proven and well documented in facial esthetics for over 10 years. Macrolane VRF20 and VRF30 (Volume Restoration Factor) is available in two different formulations. The product range includes – Macrolane VRF 20 and Macrolane VRF 30. Each is designed to be tailored to your individual treatment needs, with VRF 30 containing a thicker gel. Your physician will discuss your treatment needs with you during consultation. |
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Vichy Capital Soleil (with Mexoryl) SPF 20 – Protective Gel Cream 100.00 $30 The No. 1 dermocosmetic brand in Europe is currently expanding its success to other continents. Vichy Laboratories have always based their product development on the advice of pharmacists, who are specialists when it comes to your health and your skin. SPF 45 Cream: Vichy Capital Sol creams protect your skin against the effects of UVA and UVB radiation with Mexoryl. SPF 60 Milk Child: Fast drying formula for particularly exposed areas such as face, neck, top of the head and hands. Prevents sun-induced skin damage. Specially formulated for kids. SPF 60 Milk: The Mexoryl XL filtering system and exclusive High Coverage technology provide effective multi-risk sun protection. Skin is preserved deep down and the appearance of pigmentation spots prevented. Anti-UVA, Anti-UVB SPF 50+. Milk-Gel texture: combines the moisturizing power of milk with the application ease and freshness of a gel. For fair skin or for use in extremely intense sun. |
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Synvisc 1 syringe 1.00 $130 SYNVISCSYNVISC (Hylan G-F 20) is a highly recommended product to relieve knee pain caused by osteoarthritis. We offer highly competitive pricing on SYNVISC. Ask about quantity discount pricing when ordering SYNVISC. |
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Synvisc 3 syringes 1.00 $339 SYNVISCSYNVISC (Hylan G-F 20) is a highly recommended product to relieve knee pain caused by osteoarthritis. We offer highly competitive pricing on SYNVISC. Ask about quantity discount pricing when ordering SYNVISC. |
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Synvisc 3 syringes 10.00 $3290 SYNVISCSYNVISC (Hylan G-F 20) is a highly recommended product to relieve knee pain caused by osteoarthritis. We offer highly competitive pricing on SYNVISC. Ask about quantity discount pricing when ordering SYNVISC. |
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Synvisc (Canadian) 3 syringes 1.00 $339 SYNVISC (Hylan G-F 20) is a highly recommended product to relieve knee pain caused by osteoarthritis. We offer highly competitive pricing on SYNVISC with free shipping on all orders. Ask about quantity discount pricing when ordering SYNVISC. |
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Macrolane Macrolane VRF 30 20.00 $899.99 Macrolane is the first body shaping product using hyaluronic acid. This injectable gel is manufactured using Q-Meds patented technology, NASHA, for the production of stabilized non-animal hyaluronic acid. The use of NASHA gel has been clinically proven and well documented in facial esthetics for over 10 years. Macrolane VRF20 and VRF30 (Volume Restoration Factor) is available in two different formulations. The product range includes – Macrolane VRF 20 and Macrolane VRF 30. Each is designed to be tailored to your individual treatment needs, with VRF 30 containing a thicker gel. Your physician will discuss your treatment needs with you during consultation. |
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20 $27.19 One of the first dance acts that fully embraced the concept of the traditional studio album, head-mounted torch-wearing brothers Phil and Paul Hartnoll, aka Orbital, were instrumental in the success of the early-’90s rave scene thanks to their intelligent blend of ambient techno, industrial electro, and inventive sampling. Five years after announcing their split, the Hartnolls took a break from their various solo projects to re-form in time for a headlining slot at the Big Chill Festival and the release of 20, their third greatest-hits collection following Work 1989-2002 and 2005′s Halcyon. Timed to coincide with the 20th anniversary of their debut single, “Chime,” the two-disc, 20-track collection is a much more extensive and lengthy retrospective than its predecessors, clocking in at a remarkably generous nearly three-hour running time thanks to several ten-plus-minute pulsating groundbreaking classics. All of their seven LPs are covered, from 1991′s self-titled debut to 2004′s swan song Blue Album, with both live performances and remixes from the likes of Hervé and Tom Middleton thrown into the mix alongside original single and radio edits such as the ethereal progressive trance of final hit “One Perfect Sunrise,” the skittering “Are We Here,” which features an early appearance from Alison Goldfrapp, and the mystical “Funny Break (One Is Enough),” which proves that Orbital are capable of creating infectious melodies in addition to their trademark knob-twiddling. Predating the “cut-and-paste” formula of the Chemical Brothers and the Prodigy by a good couple of years, there’s unsurprisingly a veritable treasure trove of intriguing and completely random samples waiting to be discovered throughout the compilation. There are snatches of Afrika Bambaataa’s “Timezone” and Butthole Surfers’ “Sweat Loaf” on their joint biggest hit, “Satan,” Opus III’s “It’s a Fine Day” on their huge club anthem “Halcyon,” Scott Walker’s rendition of Jacques Brel’s “Next” on the tribal acid house of “The Naked and the Dead,” and even ’80s cheesy pop duo Dollar on the stylophone-led “Style,” all of which create the feel of a particularly schizophrenic but ultimately enjoyable iPod playlist. While most of their 14 U.K. Top 40 singles are included, with such an extensive back catalog there are bound to be a few notable omissions. For some reason, their impressive body of film music, which has seen them score soundtracks for Event Horizon and Octane and contribute tracks to The Beach and The Saint, the latter of which provided their joint biggest hit, is completely ignored. And for a band with such an esteemed live reputation, it’s just as puzzling that there are only two such performances, none of which showcase their renowned improvisational skills, while their legendary 1994 slot at Glastonbury may have spawned its own recent album, but at least one track from its set wouldn’t have gone amiss. However, 20 is undoubtedly the most comprehensive |
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Top of the Pops, Vol. 20 $5.59 One thing you have to say about the U.K. charts — they certainly have a sense of humor. Where else, after all, could Rod Stewart’s Every Picture Tells a Story masterpiece be knocked off the number one slot by a collection of anonymous covers of the day’s |
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Big Twenty: All the UK Top 40 Hits 1961-73 (Import) $11.8 The concept behind this compilation is to assemble all 20 of Gene Pitney’s U.K. chart hits onto one CD. But while this naturally has very good music and includes a lot of his best songs, it’s not synonymous with a greatest-hits collection. For a bunch of |
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Top 10 US & UK Virgin Islands $10.45 Top 10 US & UK Virgin Islands |
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Living the Blues [UK] $13.5 Some have dismissed {$Canned Heat}’s third album Living the Blues (1968), primarily owing to the nearly three-quarter-hour long {&”Refried Boogie”} jam that inhabits the second half of the effort. However, that did not stop it from scoring in the Top 20, |
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Now, Vol. 75 [UK] $28.52 Celebrating a rather impressive milestone, the Now That’s What I Call Music series returns with its 75th album, still dominating the compilation market as it has done since its debut back in 1983. Featuring eight number ones and 35 other Top 20 singles, t |
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Traffic [UK Bonus Tracks] $12.79 After dispensing with his services in December 1967, the remaining members of Traffic reinstated Dave Mason in the group in the spring of 1968 as they struggled to write enough material for their impending second album. The result was a disc evenly divided between Mason’s catchy folk-rock compositions and Steve Winwood’s compelling rock jams. Mason’s material was the most appealing both initially and eventually: The lead-off track, a jaunty effort called “You Can All Join In” became a European hit; and though it didn’t succeed as a single at first, “Feelin’ Alright?” (the question mark tended to disappear in later pressings) turned out to be the only real standard to emerge from the album after it started earning cover versions from Joe Cocker and others in the 1970s. It’s easy to miss the import of the lyrics, which are a complaint of betrayal leading to the dissatisfied chorus, “You feelin’ alright? I’m not feelin’ that good myself.” Though it’s possible to interpret as a romantic statement, “Feelin’ Alright?” can also be viewed as Mason’s indictment of Winwood, written while he was out of the band. That would explain the final verse, which seems to append a happy ending to an unhappy story. In any case, it remains a popular song many years later. Winwood’s efforts, with their haunting keyboard-based melodies augmented by Chris Wood’s reed work and Jim Capaldi’s exotic rhythms, work better as musical efforts than lyrical ones. Primary lyricist Capaldi’s words tend to be impressionistic reveries or vague psychological reflections, his lines sometimes seeming more driven by the need for a rhyme than a coherent meaning. The most satisfying of them is the shaggy dog story “Forty Thousand Headmen,” which doesn’t really make any sense as anything other than a dream, though it’s entertaining. But the lyrics to Winwood/Capaldi compositions take a back seat to the playing and Winwood’s soulful voice. As Mason’s simpler, more direct performances alternate with the more complex Winwood tunes, the album is well-balanced. It’s too bad that the musicians were not able to maintain that balance in person; for the second time in two albums, Mason found himself dismissed from the group just as an LP to which he’d made a major contribution hit the stores. Only a few months after that, the band itself split up, but not before scoring their second consecutive Top Ten ranking in the U.K., and the album also went on to reach the top 20 in the U.S., breaking the temporarily defunct group stateside. (Traffic was reissued on CD on December 15, 1987. A 2000 British reissue augmented the original track listing with bonus cuts drawn from the 1967 Here We Go ‘Round the Mulberry Bush soundtrack and the 1969 odds-and-ends collection Last Exit.) ~ William Ruhlmann, Rovi Performers: Chris Wood – Bells, Flute, Sax (Soprano), Sax (Tenor); |
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Erasure Pop!: The First 20 Hits [UK Bonus Track] $12.79 On a roll from its U.K. chart-topping success with the Abba-esque EP, Erasure celebrated with the baldly titled Pop! While scant in terms of general info, as a no-frills hit-for-hit collection Pop! lives up to its considerable brief. Taken out of context from the various albums, hearing one straight-up smash after enough becomes a pure delight. It’s intriguing to hear how the pure synth-pop/soul fusions of the earliest years give way to a more fluid style, almost as if the notoriously hard-to-stay-satisfied Clarke, having finally found a perfect partner in Bell, found the time and inclination to explore other options. As for Bell, hearing his evolution from an all-too-obvious clone of Clarke’s Yaz partner Alison Moyet into his own English soul style makes for a treat. Picking out highlights from already powerful material almost begs the question, but hearing the stretch of brilliant songs from the soothing jump of “Oh L’Amour” to the explosive, infectious energy of “Stop!” makes for great listening, Clarke’s arrangements and Bell’s passionate vocals hitting everything song for song. Calling a straightforward, chronologically organized singles collection one of “hits” would be arrogant if it weren’t for the fact that it was also true, almost every number a Top 40 placer at home, more than half hitting the Top Ten — and it’s never hard to hear why. There is one wryly funny and informative bonus in the liner notes — without explanation, though unquestionably written by self-confessed gearhead Clarke, a list of classic keyboards he’s used on Erasure’s hits appears with this note: “This is a general list of synthesizers you may or may not be interested in. It is not a product endorsement.” ~ Ned Raggett, Rovi |
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Big Twenty: All the UK Top 40 Hits 1961-73 $13.58 The concept behind this compilation is to assemble all 20 of Gene Pitney’s U.K. chart hits onto one CD. But while this naturally has very good music and includes a lot of his best songs, it’s not synonymous with a greatest-hits collection. For a bunch of Pitney’s biggest American hits didn’t chart in Britain, particularly in his early career. That means this disc is missing a number of songs that most would think essential to any basic best-of, including “Only Love Can Break a Heart,” “The Man Who Shot Liberty Valance,” “Mecca,” “Half Heaven — Half Heartache,” “Last Chance to Turn Around,” and “She’s a Heartbreaker.” On the other hand, in addition to including some classics that were big hits on both sides of the Atlantic, it has a number of U.K. chart singles that didn’t make it big in the U.S., like “Nobody Needs Your Love,” “Just One Smile,” and “Something’s Gotten Hold of My Heart,” though the handful of smaller-selling items from 1968-1970 aren’t as good as either these three songs or his best earlier work in general. As is customary for the Ace label, the packaging and annotation are excellent. But those looking for one or two Pitney comps are truly better off going with Varese Sarabande’s 25 All-Time Greatest Hits anthology, or with that and Varese Sarabande’s More Greatest Hits, if they want to be more comprehensive. There’s one obscure bonus here, though, in the use of the mono single version of “That Girl Belongs to Yesterday,” which has extra vocal overdubs not present on the stereo album version. ~ Richie Unterberger, Rovi |
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Mens Tank Top $16.9 Extrovert UK Mens Tank Top with Front & Back Detail |
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BLITZING THE BALLROOM: 20 UK POWER GLAM: $17.08 Full title – Blitzing The Ballroom: 20 UK Power Glam Incendiaries. As the ’70s took hold of the UK, the colorful expectations of the ’60s had all but faded away. The Op Art, the psychedelics and the Victorian militia had been replaced by the greys and bro |
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20 Golden Greats (Import) $9.48 Without a single misplaced footstep in sight, 20 Golden Greats soared effortlessly to the top of the U.K. chart, becoming the Shadows first album chart-topper since their sophomore album, back in 1962. It was a deserved triumph — and, perhaps, a predicta |
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Bookkeeping Workbook For Dummies, UK Edition $26.5 Fully updated for a UK audience Bookkeeping Workbook For Dummies is the easiest way to get up to speed in all the basics of bookkeeping: from setting up a bookkeeping system and recording transactions to managing payroll, preparing profit and loss statements, tackling tax and filing month and year end reports finances. Expert author Jane Kelly guides you step-by-step through every aspect of financial record and offers quick tips to help you work through the interactive exercises and practical problems encouraging you to find your own route to a solution and sharpen your skills along the way. Whether you’re studying on a bookkeeping course or balancing the books in a small business this book is the fastest way to get started. Bookkeeping Workbook For Dummies, UK Edition includes: Part I: Exploring Bookkeeping Basics Chapter 1: Deciphering the Basics Chapter 2: Designing Your Bookkeeping System Chapter 3: Sorting Out Your Business Road Map Part II: Putting it All on Paper Chapter 4: Looking at the Big Picture Chapter 5: Journaling — The Devil’s in the Details Chapter 6: Designing Controls for Your Books, Your Records, and Your Money Part III: Tracking Day-to-Day Business Operations with Your Books Chapter 7: Purchasing Goods and Tracking Your Purchases Chapter 8: Calculating and Monitoring Sales Chapter 9:  Employee Payroll and Benefits Part IV: Getting Ready for Year’s (Or Month’s) End Chapter 10: Depreciating Your Assets Chapter 11: Paying and Collecting Interest Chapter 12: Checking Your Books Chapter 13: Checking and Correcting Your Books Part V: Reporting Results and Starting Over Chapter 14: Developing a Balance Sheet Chapter 15: Producing a Profit and Loss Statement Chapter 16: Reporting for Not-For-Profit Organizations Chapter 17: Doing Your Business Taxes Chapter 18: Completing Year-End Payroll and Reports Chapter 19: Getting Ready for a New Bookkeeping Year Part VI: The Part of Tens Chapter 20: Top Ten Checklist for Managing Your Cash Chapter 21: Top Ten Accounts You Should Monitor Chapter 22: Top Ten Problems You Should Practice |
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Gospel Choirs Top 20 $17.6 Gospel Choirs Top 20 |